Reasons For Listing


Reasons For Listing: Your List 1

As with many ideas in the last year I was on a train somewhere in London when I dreamt up Reasons For Listing. It certainly didn’t come out fully formed – Charlie would give it the working title which has firmly stuck a week or so later – and I wasn’t sure exactly how all the pieces slotted together. But I knew then I wanted to write about an adult with Autism (and not the Savant-style Autism that apears in many fictional portrayals) and I wanted the piece to be in some way interactive. That the experience of Autism should be a catalyst for an interactive piece seemed oddly right in a way that I couldn’t quite articulate but which instinctively felt right.

The plot fell together quickly and I soon began to get a feel for who Joseph, Reasons For Listing‘s protagonist, was (and indeed is for, really, we are still getting to know each other). My starting point – intensely personal and spotted with the kind of fears that if I thought about them too hard would prevent me from sleeping – was there but no loner visible.  Reasons For Listing is about a young man who has Asperger’s Syndrome but it’s also about growing up, striking out on your own and puzzling out the world around you. Which, at some point, every one of us has to do (for some it is, quite simply, a bit later or a bit harder than for others).

It’s a cliche to say that a picture paints a thousand words. I’m a playwright so I wouldn’t dismiss words so easily. But what might a photograph express? If we were to choose them what might it say about us? Living alone for the first time Joseph begins to create a photographic list of everything which makes him happy. And those pictures told a story too; there’s something about the photos that I realised he would choose that elevated him from casual labels. Because we’re all a lot more complex than a throw-away sentence describing some aspect of who we are.

As it stands I have a draft of Reasons For Listing which is labelled 0.75. In the next few weeks it’s going into the hands of both Charlie and a willing actor and it will undoubtedly see itself anew again at that point. But before we get there there’s the vital part of Reasons For Listing that requires your contribution:

If you were to take a photograph of something which makes you happy what would it be?

The idea is that Joseph’s story will never quite be the same in any two performances, changed as it is by the photos that people submit. For there is Joseph’s list of things that make him happy and then there are the lists those who he comes into contact with (or, equally pertinently, who come into contact with him). And that includes you.

We’ve written up all the details here and the only limit to what can be submitted it your imagination. Equally, if you want to submit more than one photograph please feel free.

So, what makes you happy?


On Space 1

Time Out made a good point when they mentioned improving theatre bars…theatres should be places you go simply to meet people, to hang out…and then maybe fall into some theatre along the way”.

So said a friend of mine over lunch today (no, I didn’t pause to write that all down, a little bit of blogging first person narrative license there). I rather love the idea of stumbling into a performance (or a performance stumbling into me) as might happen at Shunt, just as would frequent the wonderful cafe at the Arcola simply for the sake of being there if it didn’t take approximately two hours and a lot of hair pulling for me to actually get there. The BAC has not enough seats for the space but wonderful places to sink into arm chairs and hide whilst the Tricycle has incredibly cheap food served by gloriously eccentric men.  The National‘s good for a meeting, or a quick sit down, but feels terribly, terribly corporate. And if the balcony at the Royal Court is an absolutely beautiful spot to waste some time in the sun then the prices of the bar would require me to extend my overdraft.

It is, I feel, the sense of community that my friend was getting at. Eating and drinking is inherently social after all (or at least it should be). And if we put performance into that community then what does both the performance and the community gain? People who wouldn’t normally see a performance? Or a performance that engages directly (and meaningfully) with its audience?

Though I hadn’t thought of it in such terms very early on in the planning of Reasons For Listing myself and Charlie decided that it was clear that it needed a non-traditional theatrical space. Maybe it was my love of coffee and cake but we soon struck upon the idea of cafe spaces…

There’s certainly the issue of space when we talk about theatres and their bars/ cafes. It’s a case of re-imagining and seeing entire buildings as a theatre – and not just an auditorium with a bar tacked on in order to swell the coffers during the interval. Why should performances only take place at 2.00pm and 7.30pm in an auditorium? It’s easy to pay lip service to the idea – hey let’s stick some music in the bar pre-show or some art on the walls – but it takes more imagination to embrace the concept. A 24 hour space where I can eat, drink, have a cup of coffee, take my laptop, hang out, meet people and stumble on performance (of all kinds) – that’s what I’d like to see.