(Co-)Writing and Directing Beneath the Albion Sky

Beneath the Albion Sky is the first piece of work that I have ever written (in this case co-written with Corinne) and then directed.

I must admit that there was a bit of fear in directing the show. Not least because I had written some of the words and maybe some of them were really precious to me and I hadn’t realised yet but also because I had lovingly crafted this script with Corinne. Now, Corinne is precious about certain lines and words. In some cases really rather precious. Far more than I am. Whereas I don’t have favourite lines to things I write I know that she does and that she did have special lines in Albion.  I knew that if I (or Andy) screwed up this line up, she would be disappointed. We would be getting one of her ‘It’s fine’ retorts that is so loaded with (potentially imagined by me) bile, hate and contempt that all you would be able to is say how sorry you are a million times over until you feel at least half way close to forgiveness. ‘It’s fine’ she would say… Over and over again.

But that’s enough about the fear of butchering the favourite line of Corinne Furness and my over the top imagination of how she might react. I had another fear in directing this piece in that I had written a bit of it myself. What if I shoehorned my writerly vision in to the piece at the expense of it? What if I couldn’t accept another reading of my words? What if any sort of ability I have to direct simply fades away as soon as we move from a line of Corinne’s to a line of mine? These were just some of the fears.

But it turns out – I was absolutely fine. I’m not being egotistical and saying that the directing is super awesome (you will have to come to The Yard, The Wardrobe or The BikeShed and decide that for yourself) but that I didn’t have a problem with directing something I wrote. I was delighted to find that I could take my writing hat off, put my directing hat on and just approach the play that was in front of me. Before I knew it, I was cutting lines, changing bits and seeing the play a-new. By the end of it all, I honestly couldn’t remember if I had written certain lines or if Corinne had.

I remember, back during my BA, Howard Barker came in to one of our Playwriting sessions. I was very excited (as I think Howard Barker is brilliant) and one of the things he said (amongst others) really stuck with me. He said something along the lines of ‘It is important to direct one’s own work because then you understand it better. You understand how it, and drama, work’. I can’t remember if that is exactly what he said but I remember the sentiment. I also remember the fear. I thought to myself ‘I can’t do that’, ‘I can’t direct’, ‘I’d end up blocking myself’, ‘Don’t try it you silly boy’ etc. Well, I finally had a go (admittedly with a piece I half wrote) and it was really rewarding.

I’m definitely going to try and direct my own work again (some, not all – let’s not be silly) and I would recommend that other people give it a try too.

Just please don’t blame me if, for you, it is the disaster we all fear. But I reckon there is a good chance it won’t be.

Charlie of WBN